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AUGUST Improv Comedy Calendar features new shows at the Broadway Comedy Club. CLICK HERE for full calendar. Click on date/time of show for ticket options. Select discounted options in BLUE. Check out the line-ups below. CLICK HERE if you want to see stand-up comedy tonight. CLICK HERE if you are interested in classes.
NEW YORK IMPROV THEATER
at the BROADWAY COMEDY CLUB
318 West 53rd Street, New York, NY 10019
Near Times Square and Columbus Circle Trains. Some street parking and a number of parking garages nearby, but we recommend public transportation to the neighborhood. Dozens of great restaurants nearby. The club serve light food options, beer, wine and cocktails. Most shows require a one or two drink minimum.
Join us for our flagship show. LMAO features top NYC performers creating original scenes and songs based on audience suggestions and participation. These shows are hilarious but you can actually bring comedy fans of all ages. The shows are PG-13, so if you prefer cleaner styled comedy or have younger guests, come be a part of the show! Tickets at the door $25 plus 2-drink minimum (Just ONE at 3pm matinees). CLICK HERE for discount ticket options.
This unique show is the hottest new addition to any line up in NYC Improvisation. 4-5 top singers from the worlds of Cabaret and Broadway pour out their heart in song. Top Improv comics improvises scenes, based on the songs’ titles, themes and lyrics. By the end of the night, the comics have written the book to an original new Musical Comedy with a big finish. The best of both worlds delivers an original show with music you probably already know. Tickets at the door $25 plus 2-drink minimum. CLICK HERE for discount ticket options.
HAPPY HOUR SHOWCASES
After work or Pre Show fun has never been better with this series. In addition to great Improv Comedy, we have guest stand-up comics, musicians, magic and variety dropping by. AND There are drink specials for Happy Hour. Tickets at the door $25 plus 1-drink minimum. CLICK HERE for discount ticket options.
Want to perform?
We book teams from around the world at the club weekly.
THE TRUTH IN COMEDY IS OUT THERE
July 23 Itinerary
2:30 Doors Open at the Broadway Comedy Club, 318 West 53rd Street, New York, NY 10019
3pm SHOWTIME COME BE A PART OF THE SHOW!!!
Interactive Musical Comedy Show by the Cast of EIGHT IS NEVER ENOUGH (Over 5000 shows since 2002)hosted by Duchovniacs.com founders Walt Frasier and Laurice Fattal. The show resembles WHOSE LINE IS IT ANYWAY with less game show and more off-Broadway revue style. The entire audience helps determine the topics for songs and skits while many guests are invited on stage. $25 cover at the door. There is a one beverage minimum. All ages friendly so bring the whole family!
4:30-5pm FIND FOOD – you can get stuff togo and bring to Duet.
5pm Duet 53 Karaoke – Private Room
RSVP ASAP if you are joining us. JUST $10 ($5/hour) includes 2-hour rental. NO ADDITIONAL PURCHASE REQUIRED! They have snacks but you can bring in outside food. ABSOLUTELY NO OUTSIDE DRINKS (including sodas and water). But they have cheap drinks. Last time $1 non-alcoholic options. Beer & Wine starting at $4 I think VERY CHEAP for that neighborhood. Pay Walter $10 cash at 5pm.
7pm…. TBA…
Last time we hung out at Characters on 54th. If weather is nice we may drift to Mother Burger OR Blockheads
Business Hour
Price
*NY Sales Tax (8.875%) and Gratuity is NOT included.
IMPROV SHOWS THIS WEEK AT THE BROADWAY COMEDY CLUB NYC
MONDAY 6pm Happy Hour hosted by Levi Penley – Showcase of long-form Improv with guest comics, musical acts and more. ONE Drink minimum with happy hour drink specials.
MONDAY 8pm ON THE SPOT NYC Cabaret. The best of NYC Cabaret pours their heart out in song. The cast of LMAO creates an original script improvised based on the titles, themes and lyrics of the songs. The result is a new original Broadway Style musical every week.
WEDNESDAY 1:30 IMPROV 4 TEENS WORKSHOP – Join us and attend the 3pm show for free. Registration is now open for FALL CLASSES for kids, teens and adults!!!
WEDNESDAY 3pm FAMILY MATINEE by EIGHT IS NEVER ENOUGH – AKA Improv 4 Kids / Improv 4 Teens, this show is fun for all ages.
FRIDAY 6pm Happy Hour hosted by Will Kean
SATURDAY 3pm FAMILY MATINEE by EIGHT IS NEVER ENOUGH – AKA Improv 4 Kids / Improv 4 Teens, this show is fun for all ages.
SATURDAY 8pm LMAO OFF BROADWAY by EIGHT IS NEVER ENOUGH
Hilarious interactive musical comedy show improvised on the spot based on audience suggestions and participation. This show is cheaper than therapy and we will help you survive the political season and the latest Trumpisms, sports news, celebrity scandals and more. Every show is topical because you tell us what to make the show about every week. And many of you join us on stage as well. COME BE A PART OF THE SHOW!!!
This show tours colleges and corporate events.
SUNDAY 6pm HAPPY HOUR
Below are the nominations. In bold are my choices. In Italics are the ones I think will win. Warning if you are using these predictions of mine to make your picks in a pool for money, you are a fool LOL
Outstanding Drama Series
Outstanding Comedy Series
Outstanding Lead Actor In A Drama Series
Outstanding Lead Actress In A Drama Series
Outstanding Lead Actor In A Comedy Series
Outstanding Lead Actress In A Comedy Series
Outstanding Lead Actor In A Limited Series Or Movie
Outstanding Lead Actress In A Limited Series Or Movie
Outstanding Reality-Competition Program – INSULTING this is a catagory
Outstanding Structured Reality Program
Outstanding Unstructured Reality Program
Outstanding Variety Talk Series
Outstanding Host For A Reality Or Reality-Competition Program
Outstanding Variety Sketch Series
Outstanding Variety Special
Outstanding Special Class Program
Outstanding Limited Series
Outstanding Television Movie
Outstanding Supporting Actor In A Comedy Series
Outstanding Supporting Actor In A Drama Series
Outstanding Supporting Actor In A Limited Series Or Movie
Outstanding Supporting Actress In A Comedy Series
Outstanding Supporting Actress In A Drama Series
Outstanding Supporting Actress In A Limited Series Or Movie
Outstanding Guest Actor In A Comedy Series
Outstanding Guest Actor In A Drama Series
Outstanding Guest Actress In A Comedy Series
Outstanding Guest Actress In A Drama Series
Outstanding Children’s Program
Outstanding Documentary Or Nonfiction Special
Outstanding Documentary Or Nonfiction Series
Outstanding Informational Series Or Special
Exceptional Merit In Documentary Filmmaking
Outstanding Animated Program
Outstanding Interactive Program
Outstanding Directing For A Drama Series
Outstanding Directing For A Comedy Series
Outstanding Directing For A Limited Series, Movie Or Dramatic Special
Outstanding Directing For A Variety Series
Outstanding Directing For A Variety Special
Outstanding Directing For A Nonfiction Program
Outstanding Writing For A Comedy Series
Outstanding Writing For A Drama Series
Outstanding Writing For A Limited Series, Movie Or Dramatic Special
Outstanding Writing For A Variety Series
Outstanding Writing For A Variety Special
Outstanding Writing For A Nonfiction Program
Anthony Bourdain: Parts Unknown • Borneo • CNN • Zero Point Zero Productions
Anthony Bourdain, Written by
Everything Is Copy – Nora Ephron: Scripted & Unscripted • HBO • HBO Documentary Films in
association with Consolidated Documentaries and Loveless Productions
Jacob Bernstein, Written by
Jackie Robinson • PBS • Florentine Films
David McMahon, Written by
Sarah Burns, Written by
Making A Murderer • Eighteen Years Lost • Netflix • A Synthesis Films Production for Netflix
Laura Ricciardi, Written by
Moira Demos, Written by
Walt Disney (American Experience) • PBS • A Sarah Colt Productions film with the participation of
ARTE for American Experience
Mark Zwonitzer, Telescript by
Sarah Colt, Story by
Tom Jennings, Story by
Outstanding Short Form Animated Program
Adventure Time • Hall of Egress • Cartoon Network • Cartoon Network Studios
The Powerpuff Girls • Once Upon A Townsville • Cartoon Network • Cartoon Network Studios
Robot Chicken • Robot Chicken Christmas Special: The X-Mas United • Adult Swim • Stoopid Buddy
Stoodios
SpongeBob SquarePants • Company Picnic • Nickelodeon • Nickelodeon
Steven Universe • The Answer • Cartoon Network • Cartoon Network Studios
Outstanding Casting For A Comedy Series
Modern Family • ABC • Picador Productions and Steven Levitan Productions in association with
20th Century Fox Television
Jeff Greenberg, CSA, Casting Director
Silicon Valley • HBO • HBO Entertainment in association with Judgemental Films, Alec Berg and 3
Arts Entertainment
Jeanne McCarthy, CSA, Casting Director
Nicole Abellera Hallman, CSA, Casting Director
Leslie Woo, Casting Director
Transparent • Amazon • Amazon Studios
Eyde Belasco, CSA, Casting Director
Unbreakable Kimmy Schmidt • Netflix • Universal Television, Little Stranger, Inc., 3 Arts Entertainment and Bevel Gears for Netflix
Cindy Tolan, CSA, Casting Director
Veep • HBO • HBO Entertainment
Allison Jones, Casting Director
Ben Harris, Casting Director
Meredith Tucker, Casting Director
Outstanding Casting For A Drama Series
Downton Abbey • PBS • A Carnival Films/MASTERPIECE co-production in association with
NBCUniversal
Jill Trevellick, CDG, Casting Director
Game Of Thrones • HBO • HBO Entertainment in association with Bighead, Littlehead; 360
Television and Startling Television
Nina Gold, CSA, Casting Director
Robert Sterne, CSA, Casting Director
Carla Stronge, Casting Director
House Of Cards • Netflix • Donen/Fincher/Roth and Trigger Street Productions, Inc. in association with Media Rights Capital for Netflix
Laray Mayfield, CSA, Casting Director
Julie Schubert, CSA, Casting Director
Mr. Robot • USA • USA Network in association with Universal Cable Productions and Anonymous
Content
Susie Farris, CSA, Casting Director
Beth Bowling, CSA, Casting Director
Kim Miscia, CSA, Casting Director
Orange Is The New Black • Netflix • Lionsgate Television for Netflix
Jennifer Euston, CSA, Casting Director
Outstanding Casting For A Limited Series, Movie Or Special
Fargo • FX Networks • MGM Television, FX Productions
Rachel Tenner, CSA, Casting Director
Jackie Lind, CSA, Casting Director
Stephanie Gorin, CSA, Casting Director
Grease: Live • FOX • Paramount Television
Telsey + Company, Casting Directors
The Night Manager • AMC • Ink Factory
Jina Jay, CSA, Casting Director
The People v. O.J. Simpson: American Crime Story • FX Networks • Fox 21 Television Studios, FX
Productions
Jeanne McCarthy, CSA, Casting Director
Nicole Abellera Hallman, CSA, Casting Director
Courtney Bright, CSA, Casting Director
Nicole Daniels, CSA, Casting Director
Roots • HISTORY • An A+E Studios Production in association with Marc Toberoff Productions and
The Wolper Organization
Victoria Thomas, CSA, Casting Director
Moonyeen Lee, Casting Director
Leo Davids, Casting Director
Lissy Holm, Casting Director
Meagan Lewis, CSA, Casting Director
Outstanding Choreography
America’s Best Dance Crew • Routines: Runaway Baby/Take U There/Summer Thing • MTV •
Warner Horizon Television
Quest Crew, Choreographers
Crazy Ex-Girlfriend • Routines: I’m So Good at Yoga/A Boy Band Made Up of Four Joshes/Settle
For Me • CW • CBS Television Studios and Warner Bros. Television
Kathryn Burns, Choreographer
Dancing With The Stars • Routines: Footprints In The Sand/Grace Kelly/Cry Little Sister • ABC •
BBC Worldwide Productions
Derek Hough, Choreographer
So You Think You Can Dance • Routine: Dibidy Dop • FOX • dick clark productions, inc. and 19
Entertainment
Anthony Morigerato, Choreographer
So You Think You Can Dance • Routines: Beautiful Friends/November/Gimme All Your Love • FOX
• dick clark productions, inc. and 19 Entertainment
Travis Wall, Choreographer
Outstanding Cinematography For A Multi-Camera Series
The Big Bang Theory • The Convergence Convergence • CBS • Chuck Lorre Productions, Inc. in
association with Warner Bros. Television
Steven V. Silver, ASC, Director of Photography
Mom • Sticky Hands And A Walk On The Wild Side • CBS • Chuck Lorre Productions, Inc. in
association with Warner Bros. Television
Steven V. Silver, ASC, Director of Photography
Nicky, Ricky, Dicky & Dawn • Go Hollywood • Nickelodeon • Nickelodeon
John Simmons, ASC, Director of Photography
The Soul Man • White Trash • TV Land • A Bird & A Bear Entertainment, Hazy Mills Productions,
SamJen Productions
George Mooradian, ASC, Director of Photography
Outstanding Cinematography For A Single-Camera Series
Bates Motel • A Danger To Himself And Others • A&E • Universal Television, Carlton Cuse
Productions and Kerry Ehrin Productions
John S. Bartley, ASC, Director of Photography
Downton Abbey • Episode 9 • PBS • A Carnival Films/MASTERPIECE co-production in association
with NBCUniversal
Graham Frake, Director of Photography
Game Of Thrones • Home • HBO • HBO Entertainment in association with Bighead, Littlehead; 360
Television and Startling Television
Greg Middleton, CSC, Director of Photography
Gotham • Azrael • FOX • Warner Bros. Television
Crescenzo Giacomo Notarile, ASC, AIC, Director of Photography
Homeland • The Tradition Of Hospitality • Showtime • SHOWTIME Presents, Fox 21 Television
Studios, Teakwood Lane Productions, Cherry Pie Productions, Keshet
David Klein, ASC, Director of Photography
House Of Cards • Chapter 45 • Netflix • Donen/Fincher/Roth and Trigger Street Productions, Inc.
in association with Media Rights Capital for Netflix
David M. Dunlap, Director of Photography
The Man In The High Castle • The New World • Amazon • Amazon Studios
James Hawkinson, Director of Photography
Outstanding Cinematography For A Limited Series Or Movie
Fargo • Waiting For Dutch • FX Networks • MGM Television, FX Productions
Dana Gonzales, Director of Photography
Luther • BBC America • A BBC America and BBC In-House Drama Production co-production
John Conroy, Director of Photography
The People v. O.J. Simpson: American Crime Story • From The Ashes Of Tragedy • FX Networks •
Fox 21 Television Studios, FX Productions
Nelson Cragg, Director of Photography
Sherlock: The Abominable Bride (Masterpiece) • PBS • Hartswood Films for BBC One in
co-production with MASTERPIECE
Suzie Lavelle, ISC, Director of Photography
Outstanding Cinematography For A Nonfiction Program
Anthony Bourdain: Parts Unknown • Cuba • CNN • Zero Point Zero Productions
Todd Liebler, Director of Photography
Zach Zamboni, Director of Photography
Cartel Land • A&E • Our Time Projects and Documentary Group in association with Whitewater
Films for A&E IndieFilms
Matthew Heineman, Cinematography by
Matt Porwoll, Cinematography by
He Named Me Malala • National Geographic Channel • Fox Searchlight Pictures in association with
Image Nation Abu Dhabi and Participant Media
Erich Roland, Director of Photography
Mapplethorpe: Look At The Pictures • HBO • HBO Documentary Films in association with Film
Manufacturers, Inc. and World of Wonder Productions
Huy Truong, Director of Photography
What Happened, Miss Simone? • Netflix • A RadicalMedia Production in association with Moxie
Firecracker for Netflix
Igor Martinovic, Cinematography by
Rachel Morrison, Cinematography by
Outstanding Cinematography For A Reality Program
The Amazing Race • We’re Only Doing Freaky Stuff Today • CBS • World Race Productions, Inc.
Peter Rieveschl, Director of Photography
Alan Weeks, Cinematographer
Petr Cikhart, Cinematographer
Ryan O’Donnell, Cinematographer
Joshua Gitersonke, Cinematographer
Deadliest Catch • Carpe Diem • Discovery Channel • Original Productions, LLC for Discovery
Channel
David Reichert, Director of Photography
Todd Stanley, Director of Photography
Steve Wright, Director of Photography
Josh Thomas, Director of Photography
Shane Moore, Director of Photography
Intervention • Sierra • A&E • GRB Entertainment, Inc.
Toby Birney, Director of Photography
Life Below Zero • Breaking Through • National Geographic Channel • Adjacent Productions
Cinematography Team
Project Runway • Mad Dash Mayhem • Lifetime • The Weinstein Company, Bunim/Murray
Productions and Full Picture Entertainment for Lifetime
Gus Dominguez, Director of Photography
Survivor • Second Chance • CBS • United Artist Media Group
Cinematography Team
Outstanding Commercial
Dear Peyton – Gatorade •
TBWA\Chiat\Day LA, Ad Agency
Smuggler, Production Company
Love Has No Labels – Ad Council •
R/GA, Ad Agency
Persuade & Influence / Mindride, Production Company
Marilyn – Snickers •
BBDO New York, Ad Agency
O Positive, Production Company
Paper – Honda •
RPA, Ad Agency
Reset Content, Production Company
Year In Search 2015 – Google •
72andSunny, Ad Agency
Hecho en 72, Production Company
Outstanding Costumes For A Period/Fantasy Series, Limited Series Or Movie
Downton Abbey • Episode 8 • PBS • A Carnival Films/MASTERPIECE co-production in association
with NBCUniversal
Anna Mary Scott Robbins, Costume Designer
Kathryn Tart, Assistant Costume Designer
Michael Weldon, Costume Supervisor
Game Of Thrones • The Winds Of Winter • HBO • HBO Entertainment in association with Bighead,
Littlehead; 360 Television and Startling Television
Michele Clapton, Costume Designer
Chloe Aubry, Assistant Costume Designer
Sheena Wichary, Costume Supervisor
Outlander • Not In Scotland Anymore • Starz • Sony Pictures Television and Starz in association
with Tall Ship Productions, Story Mining and Supply Company and Left Bank Productions
Terry Dresbach, Costume Designer
Elle Wilson, Assistant Costume Designer
Nadine Powell, Assistant Costume Designer
Anna Lau, Costume Supervisor
The People v. O.J. Simpson: American Crime Story • Marcia, Marcia, Marcia • FX Networks • Fox 21
Television Studios, FX Productions
Hala Bahmet, Costume Designer
Marina Ray, Assistant Costume Designer
Elinor Bardach, Costume Supervisor
Roots • Night One • HISTORY • An A+E Studios Production in association with Marc Toberoff
Productions and The Wolper Organization
Ruth E. Carter, Costume Designer
Diana Cilliers, Costume Designer
Meagan ‘Bijou’ Coates, Assistant Costume Designer
Hetta Burger, Assistant Costume Designer
Meagan McLaughlin Luster, Costume Supervisor
Gillian Gregg, Costume Supervisor
Outstanding Costumes For A Contemporary Series, Limited Series Or Movie
American Horror Story: Hotel • Chutes And Ladders • FX Networks • 20th Century Fox Television,
FX Productions
Lou Eyrich, Costume Designer
Helen Huang, Assistant Costume Designer
Marisa Aboitiz, Costume Supervisor
Empire • Past Is Prologue • FOX • Imagine Entertainment in association with 20th Century Fox
Television
Paolo Nieddu, Costume Designer
Jennifer Salim, Assistant Costume Designer
Mary Lane, Costume Supervisor
The Good Wife • End • CBS • Eye Productions in association with Scott Free Productions and King
Size Productions
Daniel Lawson, Costume Designer
David Brooks, Assistant Costume Designer
Daniele Hollywood, Assistant Costume Designer
Angel Peart, Assistant Costume Designer
Grace And Frankie • The Party • Netflix • Skydance Productions for Netflix
Allyson B. Fanger, Costume Designer
Lori DeLapp, Costume Supervisor
Transparent • Kina Hora • Amazon • Amazon Studios
Marie Schley, Costume Designer
Mark A. Summers, Costume Supervisor
Outstanding Costumes For A Variety, Nonfiction Or Reality Program
Dancing With The Stars • Disney Night / Costumes: dancers only • ABC • BBC Worldwide
Productions
Daniela Gschwendtner, Costume Designer
Steven Lee, Costume Designer
Polina Roytman, Assistant Costume Designer
Karina Torrico, Assistant Costume Designer
Howard Sussman, Costume Supervisor
Grease: Live • Costumes: all • FOX • Paramount Television
William Ivey Long, Costume Designer
Paul Spadone, Assistant Costume Designer
Nanrose Buchman, Assistant Costume Designer
Gail Fitzgibbons, Costume Supervisor
Tom Beall, Costume Supervisor
RuPaul’s Drag Race • Keeping It 100! / Costumes: RuPaul only • Logo • World of Wonder
Productions
Zaldy Goco, Costume Designer
Saturday Night Live • Host: Ryan Gosling / Costumes: all except musical guest • NBC • SNL
Studios in association with Universal Television and Broadway Video
Tom Broecker, Costume Designer
Eric Justian, Costume Designer
The Wiz Live! • Costumes: all • NBC • Universal Television, Sony Pictures Television, Storyline
Entertainment
Paul Tazewell, Costume Designer
Rachel Attridge, Assistant Costume Designer
Rory Powers, Costume Supervisor
Outstanding Character Voice-Over Performance
Family Guy • Pilling Them Softly • FOX • 20th Century Fox Television
Seth MacFarlane as Peter Griffin, Stewie Griffin, Brian Griffin, Glenn Quagmire, Dr. Hartman, Tom Tucker, Mr. Spacely
South Park • Stunning and Brave • Comedy Central • Central Productions
Trey Parker as PC Principal, Cartman
South Park • Tweek x Craig • Comedy Central • Central Productions
Matt Stone as Craig Tucker, Tweek, Thomas Tucker
SuperMansion • Puss in Books • Crackle • Stoopid Buddy Stoodios
Keegan-Michael Key as American Ranger, Sgt. Agony
SuperMansion • The Inconceivable Escape of Dr. Devizo • Crackle • Stoopid Buddy Stoodios
Chris Pine as Dr. Devizo, Robo-Dino
Outstanding Short Form Animated Program
Adventure Time • Hall of Egress • Cartoon Network • Cartoon Network Studios
The Powerpuff Girls • Once Upon A Townsville • Cartoon Network • Cartoon Network Studios
Robot Chicken • Robot Chicken Christmas Special: The X-Mas United • Adult Swim • Stoopid Buddy
Stoodios
SpongeBob SquarePants • Company Picnic • Nickelodeon • Nickelodeon
Steven Universe • The Answer • Cartoon Network • Cartoon Network Studios
Outstanding Production Design For A Narrative Contemporary Or Fantasy Program (One Hour Or More)
American Horror Story: Hotel • FX Networks • 20th Century Fox Television, FX Productions
Mark Worthington, Production Designer
Denise Hudson, Art Director
Ellen Brill, Set Decorator
Game Of Thrones • Blood Of My Blood • The Broken Man • No One • HBO • HBO Entertainment in
association with Bighead, Littlehead; 360 Television and Startling Television
Deborah Riley, Production Designer
Paul Ghirardani, Art Director
Rob Cameron, Set Decorator
House Of Cards • Chapter 41 • Chapter 47 • Chapter 48 • Netflix • Donen/Fincher/Roth and
Trigger Street Productions, Inc. in association with Media Rights Capital for Netflix
Steve Arnold, Production Designer
Halina Gebarowicz, Art Director
Tiffany Zappulla, Set Decorator
The Man In The High Castle • The New World • Amazon • Amazon Studios
Drew Boughton, Production Designer
Linda King, Art Director
Brenda Meyers-Ballard, Set Decorator
Penny Dreadful • Fresh Hell • Evil Spirits In Heavenly Places • And Hell Itself My Only Foe •
Showtime • SHOWTIME Presents in association with SKY
Jonathan McKinstry, Production Designer
Jo Riddell, Art Director
Philip Murphy, Set Decorator
Outstanding Production Design For A Narrative Period Program (One Hour Or More)
Downton Abbey • Part 5 • Part 7 • PBS • A Carnival Films/MASTERPIECE co-production in association with NBCUniversal
Donal Woods, Production Designer
Mark Kebby, Art Director
Linda Wilson, Set Decorator
Fargo • Waiting For Dutch • FX Networks • MGM Television, FX Productions
Warren A. Young, Production Designer
Elisabeth Williams, Art Director
Shirley Inget, Set Decorator
The Knick • Ten Knots • The Best With The Best To Get The Best • Wonderful Surprises • Cinemax •
Cinemax Entertainment in association with Ambeg Screen Products, Anonymous Content and Extension 765
Howard Cummings, Production Designer
Laura Ballinger Gardner, Art Director
Regina Graves, Set Decorator
Masters Of Sex • The Excitement Of Release • Surrogates • Party Of Four • Showtime •
SHOWTIME Presents, Sony Pictures Television, Round Two Productions, Timberman/Beverly Productions
Elizabeth H. Gray, Production Designer
Valerie Green, Art Director
Halina Siwolop, Set Decorator
Outlander • Not In Scotland Anymore • Faith • Starz • Sony Pictures Television and Starz in
association with Tall Ship Productions, Story Mining and Supply Company and Left Bank Productions
Jon Gary Steele, Production Designer
Nicki McCallum, Art Director
Gina Cromwell, Set Decorator
Outstanding Production Design For A Narrative Program (Half-Hour Or Less)
The Big Bang Theory • The Positive Negative Reaction • The Big Bear Precipitation • The
Fermentation Bifurcation • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros.
Television
John Shaffner, Production Designer
Francoise Cherry-Cohen, Art Director
Ann Shea, Set Decorator
The Muppets • The X Factor • Pigs In A Blackout • Single All The Way • ABC • ABC Studios
Denise Ann Pizzini, Production Designer
Don Diers, Set Decorator
Silicon Valley • Two In The Box • Bachmanity Insanity • Daily Active Users • HBO • HBO
Entertainment in association with Judgemental Films, Alec Berg and 3 Arts Entertainment
Richard Toyon, Production Designer
Oana Bogdan, Art Director
Jennifer Mueller, Set Decorator
Transparent • Kina Hora • The Book Of Life • Man On The Land • Amazon • Amazon Studios
Cat Smith, Production Designer
Macie Vener, Art Director
Susan Mina Eschelbach, Set Decorator
Veep • The Eagle • C**tgate • HBO • HBO Entertainment
Jim Gloster, Production Designer
Karen Steward, Art Director
Kimberly Wannop, Set Decorator
Outstanding Production Design For A Variety, Nonfiction, Reality Or Reality-Competition Series
Drunk History • New Jersey • Comedy Central • Gary Sanchez Productions
Rachel Robb Kondrath, Production Designer
Kellie Jo Tinney, Set Decorator
Key & Peele • Y’all Ready For This? • The End • Comedy Central • Cindylou, Monkeypaw
Productions, Martel & Roberts Productions, Principato-Young Entertainment, Central Productions
Gary Kordan, Production Designer
Julie Drach, Set Decorator
Portlandia • Family Emergency • Pickathon • Weirdo Beach • IFC • Broadway Video for IFC
Schuyler Telleen, Production Designer
Katherine Isom, Set Decorator
Saturday Night Live • Hosts: Tina Fey & Amy Poehler • Host: Larry David • Host: Peter Dinklage •
NBC • SNL Studios in association with Universal Television and Broadway Video
Eugene Lee, Production Designer
Akira Yoshimura, Production Designer
Keith Ian Raywood, Production Designer
Joe DeTullio, Production Designer
The Voice • Live Finale (Part 2) • The Blind Auditions Premiere (Part 2) • Live Semifinal
Performances • NBC • MGM Television, Talpa Media USA, Inc. and Warner Horizon Television
Anton Goss, Production Designer
James Pearse Connelly, Production Designer
Zeya Maurer, Art Director
Lydia Smyth, Art Director
Stephanie Trigg Hines, Set Decorator
Outstanding Production Design For A Variety, Nonfiction, Event Or Award Special
Grease: Live • FOX • Paramount Television
David Korins, Production Designer
Joe Celli, Art Director
Jason Howard, Set Decorator
He Named Me Malala • National Geographic Channel • Fox Searchlight Pictures in association with
Image Nation Abu Dhabi and Participant Media
Alexander Fuller, Production Designer
Lori West, Art Director
Lemonade • HBO • HBO Entertainment in association with Parkwood Entertainment
Hannah Beachler, Production Designer
Chris Britt, Art Director
Kim Murphy, Set Decorator
The Oscars • ABC • The Academy of Motion Picture Arts and Sciences
Derek McLane, Production Designer
Gloria Lamb, Art Director
Matt Steinbrenner, Art Director
The Wiz Live! • NBC • Universal Television, Sony Pictures Television, Storyline Entertainment
Derek McLane, Production Designer
Erica Hemminger, Art Director
Mike Pilipski, Set Decorator
Outstanding Single-Camera Picture Editing For A Drama Series
Better Call Saul • Nailed • AMC • Sony Pictures Television / Gran Via Productions
Kelley Dixon, ACE, Editor
Chris McCaleb, Editor
Better Call Saul • Rebecca • AMC • Sony Pictures Television / Gran Via Productions
Kelley Dixon, ACE, Editor
Game Of Thrones • Battle Of The Bastards • HBO • HBO Entertainment in association with
Bighead, Littlehead; 360 Television and Startling Television
Tim Porter, Editor
Game Of Thrones • Oathbreaker • HBO • HBO Entertainment in association with Bighead,
Littlehead; 360 Television and Startling Television
Katie Weiland, Editor
Narcos • Descenso • Netflix • Gaumont International Television for Netflix
Leo Trombetta, ACE, Editor
Outstanding Single-Camera Picture Editing For A Comedy Series
Crazy Ex-Girlfriend • Josh Just Happens To Live Here! • CW • CBS Television Studios and Warner
Bros. Television
Kabir Akhtar, ACE, Editor
Silicon Valley • Daily Active Users • HBO • HBO Entertainment in association with Judgemental
Films, Alec Berg and 3 Arts Entertainment
Tim Roche, Editor
Silicon Valley • The Uptick • HBO • HBO Entertainment in association with Judgemental Films, Alec
Berg and 3 Arts Entertainment
Brian Merken, ACE, Editor
Veep • Inauguration • HBO • HBO Entertainment
Steven Rasch, ACE, Editor
Veep • Mother • HBO • HBO Entertainment
Shawn Paper, Editor
Outstanding Multi-Camera Picture Editing For A Comedy Series
The Big Bang Theory • The Opening Night Excitation • CBS • Chuck Lorre Productions, Inc. in
association with Warner Bros. Television
Peter Chakos, Editor
Horace And Pete • Episode 103 • louisck.net • Pig Newton, Inc.
Gina Sansom, Editor
Last Man Standing • The Road Less Driven • ABC • 20th Century Fox Television
Kris Trexler, Editor
Mike & Molly • I See Love • CBS • Bonanza Productions, Inc. in association with Chuck Lorre
Productions, Inc. and Warner Bros. Television
Stephen Prime, Editor
Mom • Atticus Finch And The Downtrodden • CBS • Chuck Lorre Productions, Inc. in association
with Warner Bros. Television
Ben Bosse, Editor
2 Broke Girls • And The Sax Problem • CBS • Bonanza Productions, Inc. in association with MPK
Productions and Warner Bros. Television
Darryl Bates, ACE, Editor
Outstanding Single-Camera Picture Editing For A Limited Series Or Movie
Fargo • Did You Do This? No, You Did It! • FX Networks • MGM Television, FX Productions
Curtis Thurber, Editor
Skip Macdonald, ACE, Editor
Fargo • Waiting for Dutch • FX Networks • MGM Television, FX Productions
Skip Macdonald, ACE, Editor
The People v. O.J. Simpson: American Crime Story • From The Ashes Of Tragedy • FX Networks •
Fox 21 Television Studios, FX Productions
Adam Penn, Editor
The People v. O.J. Simpson: American Crime Story • The Race Card • FX Networks • Fox 21
Television Studios, FX Productions
C. Chi-Yoon Chung, Editor
The People v. O.J. Simpson: American Crime Story • The Verdict • FX Networks • Fox 21 Television
Studios, FX Productions
Stewart Schill, ACE, Editor
Outstanding Picture Editing For Variety Programming
CONAN In Korea • TBS • Conaco, LLC
Robert James Ashe, Lead Editor
Christopher Heller, Editor
David Grecu, Editor
Meaghan Wilbur, Editor
Drunk History • Inventors • Comedy Central • Gary Sanchez Productions
Jody McVeigh-Schultz, Editor
Key & Peele • The End • Comedy Central • Cindylou, Monkeypaw Productions, Martel & Roberts
Productions, Principato-Young Entertainment, Central Productions
Rich LaBrie, Editor
Neil Mahoney, Editor
Nicholas Monsour, Editor
Stephen Waichulis, Additional Editor
Last Week Tonight With John Oliver • Public Defenders (segment) • HBO • HBO Entertainment in
association with Sixteen String Jack Productions and Avalon Television
Anthony Miale, Editor
Lemonade • HBO • HBO Entertainment in association with Parkwood Entertainment
Bill Yukich, Editor
Outstanding Picture Editing For A Nonfiction Program
Cartel Land • A&E • Our Time Projects and Documentary Group in association with Whitewater
Films for A&E IndieFilms
Matthew Hamacheck, Editor
Matthew Heineman, Editor
Pax Wassermann, Editor
Bradley J. Ross, Editor
He Named Me Malala • National Geographic Channel • Fox Searchlight Pictures in association with
Image Nation Abu Dhabi and Participant Media
Greg Finton, ACE, Editor
Brian Johnson, Editor
Brad Fuller, Editor
Making A Murderer • Indefensible • Netflix • A Synthesis Films Production for Netflix
Moira Demos, Editor
Vice • Fighting Isis • HBO • HBO Entertainment in association with Vice and Bill Maher Productions
Rebecca Adorno, Editor
Roman Safiullin, Editor
What Happened, Miss Simone? • Netflix • A RadicalMedia Production in association with Moxie
Firecracker for Netflix
Joshua L. Pearson, Editor
Outstanding Picture Editing For A Structured Or Competition Reality Program
The Amazing Race • We’re Only Doing Freaky Stuff Today • CBS • World Race Productions, Inc.
Andy Castor, Editor
Julian Gomez, Editor
Andrew Kozar, Editor
Ryan Leamy, Editor
Jennifer Nelson, Editor
Jacob Parsons, Editor
Paul C. Nielsen, Editor
Shark Tank • Episode 702 • ABC • MGM Television in association with Sony Pictures Television
Editing Team
Survivor • Signed, Sealed And Delivered • CBS • MGM Television
Editing Team
The Voice • Episode 1005 • NBC • MGM Television, Talpa Media USA, Inc. and Warner Horizon
Television
Editing Team
Who Do You Think You Are? • Bryan Cranston • TLC • Shed Media US
Mark Cegielski, Editor
James Horak, Editor
Julie Janata, Editor
Elise Ludwig, Editor
Justin Robertson, Editor
Conrad Stanley, Editor
Shelly Stocking, Editor
Outstanding Picture Editing For An Unstructured Reality Program
Born This Way • Don’t Limit Me • A&E • Bunim/Murray Productions
M’daya Meliani, Editor
Chris Ray, Editor
Dan Zimmerman, Editor
Born This Way • Up Syndrome • A&E • Bunim/Murray Productions
Daniel Cerny, Editor
Peggy Tachdjian, Editor
Deadliest Catch • Carpe Diem • Discovery Channel • Original Productions, LLC for Discovery
Channel
Josh Earl, ACE, Supervising Editor
Ben Bulatao, ACE, Editor
Naked And Afraid XL • 40 Days Jungle Rich • Discovery Channel • Renegade 83, LLC for Discovery
Channel
Malinda Zehner, Editor
Mike Bary, Editor
Todd Beabout, Editor
Jacob Parsons, Editor
Eric Goldfarb, Editor
Mike Levine, Editor
Andrew P. Jones, Editor
Project Greenlight • Accident Waiting To Happen • HBO • HBO Entertainment in association with
Pearl Street Films, Adaptive Studios, Magical Elves, Miramax
Steve Lichtenstein, Lead Editor
Craig A. Colton, Editor
Nina Erb, Editor
Dan Golding, Editor
Outstanding Hairstyling For A Single-Camera Series
Downton Abbey • Episode 9 • PBS • A Carnival Films/MASTERPIECE co-production in association
with NBCUniversal
Nic Collins, Department Head Hairstylist
Adele Firth, Co-Department Head Hairstylist
Game Of Thrones • The Door • HBO • HBO Entertainment in association with Bighead, Littlehead;
360 Television and Startling Television
Kevin Alexander, Department Head Hairstylist
Candice Banks, Key Hairstylist
Nicola Mount, Hairstylist
Laura Pollock, Hairstylist
Gary Machin, Hairstylist
Rosalia Culora, Hairstylist
The Knick • Williams And Walker • Cinemax • Cinemax Entertainment in association with Ambeg
Screen Products, Anonymous Content and Extension 765
Jerry DeCarlo, Department Head Hairstylist
John ‘Jack’ Curtin, Key Hairstylist
Nathan Busch, Key Hairstylist
Karen Dickenson, Hairstylist
Suzy Mazzarese Allison, Personal Hairstylist
Masters Of Sex • Matters Of Gravity • Showtime • SHOWTIME Presents, Sony Pictures Television,
Round Two Productions, Timberman/Beverly Productions
Mary Ann Valdes, Department Head Hairstylist
Matthew Holman, Key Hairstylist
George Guzman, Hairstylist
Penny Dreadful • Glorious Horrors • Showtime • SHOWTIME Presents in association with SKY
Ferdinando Merolla, Department Head Hairstylist
Sevlene Roddy, Hairstylist
Giuliano Mariano, Hairstylist
Orla Carroll, Personal Hairstylist
Outstanding Hairstyling For A Multi-Camera Series Or Special
Dancing With The Stars • The Finals (Part 1) • ABC • BBC Worldwide Productions
Mary Guerrero, Department Head Hairstylist
Kimi Messina, Key Hairstylist
Gail Ryan, Additional Hairstylist
Jennifer Guerrero, Additional Hairstylist
Sean Smith, Additional Hairstylist
Dean Banowetz, Additional Hairstylist
Grease: Live • FOX • Paramount Television
Mary Guerrero, Department Head Hairstylist
Kimi Messina, Key Hairstylist
Gail Ryan, Additional Hairstylist
Jennifer Guerrero, Additional Hairstylist
Dean Banowetz, Additional Hairstylist
Lucia Mace, Additional Hairstylist
Key & Peele • Y’all Ready For This • Comedy Central • Cindylou, Monkeypaw Productions, Martel &
Roberts Productions, Principato-Young Entertainment, Central Productions
Amanda Mofield, Department Head Hairstylist
Raissa Patton, Assistant Department Head Hairstylist
Saturday Night Live • Host: Fred Armisen • NBC • SNL Studios in association with Universal
Television and Broadway Video
Bettie O. Rogers, Department Head Hairstylist
Jodi Mancuso, Key Hairstylist
Inga Thrasher, Hairstylist
Jennifer Serio, Hairstylist
Cara Hannah Sullivan, Hairstylist
Joe Whitmeyer, Hairstylist
The Wiz Live! • NBC • Universal Television, Sony Pictures Television, Storyline Entertainment
Charles G. LaPointe, Department Head Hairstylist
Kevin Maybee, Co-Department Head Hairstylist
Elizabeth Printz, Hairstylist
Amanda Duffy, Key Hairstylist
Outstanding Hairstyling For A Limited Series Or Movie
All The Way • HBO • HBO Films in association with Amblin Television, Tale Told Productions,
Moonshot Entertainment and Everyman Pictures
Anne Morgan, Department Head Hairstylist
Terrie Velazquez-Owen, Key Hairstylist
Brian Andrew-Tunstall, Hairstylist
Julia Holdren, Hairstylist
Barry Rosenberg, Hairstylist
Quan Pierce, Hairstylist
American Horror Story: Hotel • FX Networks • 20th Century Fox Television, FX Productions
Monte C. Haught, Department Head Hairstylist
Fredric Aspiras, Personal Hairstylist
Darlene Brumfield, Hairstylist
Kelly Muldoon, Additional Hairstylist
Gina Bonacquisti, Additional Hairstylist
Fargo • FX Networks • MGM Television, FX Productions
Chris Glimsdale, Department Head Hairstylist
Judy Durbacz, Assistant Department Head Hairstylist
Penny Thompson, Additional Hairstylist
Cindy Ferguson, Additional Hairstylist
Tracy Murray, Additional Hairstylist
The People v. O.J. Simpson: American Crime Story • FX Networks • Fox 21 Television Studios, FX
Productions
Chris Clark, Department Head Hairstylist
Natalie Driscoll, Key Hairstylist
Shay Sanford-Fong, Hairstylist
Katrina Chevelalier, Additional Hairstylist
Roots • Night One • HISTORY • An A+E Studios Production in association with Marc Toberoff
Productions and The Wolper Organization
Tony Ward, Department Head Hairstylist
Adam Gaeta, Key Hairstylist
Talli Prachter, Key Hairstylist
Sherri Hamilton, Hairstylist
Outstanding Lighting Design/Lighting Direction For A Variety Series
American Idol • Finale • FOX • FremantleMedia North America, Inc. and 19 Entertainment
Kieran Healy, Lighting Designer
Harry Sangmeister, Lighting Director
George Harvey, Lighting Director
Harrison Lippman, Lighting Director
Dancing With The Stars • The Finals (Part 2) • ABC • BBC Worldwide Productions
Simon Miles, Lighting Designer
Matthew Cotter, Lighting Director
Suzanne Sotelo, Lighting Director
Saturday Night Live • Hosts: Tina Fey & Amy Poehler • NBC • SNL Studios in association with
Universal Television and Broadway Video
Phil Hymes, Lighting Designer
Geoff Amoral, Lighting Director
Rick McGuinness, Lighting Director
So You Think You Can Dance • Season 12 Finale • FOX • dick clark productions, inc. and 19
Entertainment
Robert Barnhart, Lighting Designer
Matt Firestone, Lighting Director
Patrick Boozer, Lighting Director
Pete Radice, Lighting Director
The Voice • Episode 917A • NBC • MGM Television, Talpa Media USA, Inc. and Warner Horizon
Television
Oscar Dominguez, Lighting Designer
Samuel Barker, Lighting Director
Daniel K. Boland, Lighting Director
Craig Housenick, Lighting Director
Johnny Bradley, Media Server Operator
22
Outstanding Lighting Design/Lighting Direction For A Variety Special
Adele Live In New York City • NBC • Melted Stone Ltd., Broadway Video, Universal Television
Allen Branton, Lighting Designer
Patrick Woodroffe, Lighting Director
Tom Beck, Lighting Director
Eric Marchwinski, Moving Light Programmer
Grease: Live • FOX • Paramount Television
Al Gurdon, Lighting Designer
Travis Hagenbuch, Lighting Director
Madigan Stehly, Lighting Director
Will Gossett, Lighting Director
Ryan Tanker, Moving Light Programmer
The Oscars • ABC • The Academy of Motion Picture Arts and Sciences
Robert Dickinson, Lighting Designer
Robert Barnhart, Lighting Director
Andy O’Reilly, Lighting Director
Jon Kusner, Lighting Director
Super Bowl 50 Halftime Show • CBS • NFL Network
Robert Barnhart, Lighting Designer
Dave Grill, Lighting Director
Pete Radice, Lighting Director
Jason Rudolph, Media Server Programmer
The Wiz Live! • NBC • Universal Television, Sony Pictures Television, Storyline Entertainment
Allen Branton, Lighting Designer
Darren Langer, Lighting Director
Kevin Lawson, Lighting Director
Felix Peralta, Lighting Director
Eric Marchwinski, Moving Light Programmer
Outstanding Main Title Design
The Man In The High Castle • Amazon • Amazon Studios
Patrick Clair, Creative Director
Paul Kim, Designer
Jose Limon, CG Artist
Raoul Marks, Animator
23
Marvel’s Jessica Jones • Netflix • Marvel Television in association with ABC Studios for Netflix
Michelle Dougherty, Creative Director
Arisu Kashiwagi, Lead Designer
Rod Basham, Flame Artist
David Mack, Illustrator
Eric Demeusy, Animator
Thomas McMahan, Animator
Narcos • Netflix • Gaumont International Television for Netflix
Tom O’Neill, Creative Director
Nik Kleverov, Editor
David Badounts, Lead Animator/Compositor
Josh Smith, CG/Design Lead
The Night Manager • AMC • Ink Factory
Patrick Clair, Creative Director
Jeff Han, Designer
Paul Kim, Designer
Raoul Marks, Animator
Vinyl • HBO • HBO Entertainment in association with Paramount Pictures, Jagged Films, Sikelia
Productions and Cold Front Productions
Alan Williams, Creative Director
Michelle Dougherty, Creative Director
Tess Sitzmann, Creative Producer
Jon Hassell, Executive Producer
Jessica Ledoux, Editor
Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)
Game Of Thrones • Battle Of The Bastards • HBO • HBO Entertainment in association with
Bighead, Littlehead; 360 Television and Startling Television
Jane Walker, Department Head Makeup Artist
Kate Thompson, Makeup Artist
Nicola Mathews, Makeup Artist
Kay Bilk, Makeup Artist
Marianna Kyriacou, Makeup Artist
Pamela Smyth, Makeup Artist
The Knick • Whiplash • Cinemax • Cinemax Entertainment in association with Ambeg Screen
Products, Anonymous Content and Extension 765
Nicki Ledermann, Department Head Makeup Artist
Stephanie Pasicov, Key Makeup Artist
Sunday Englis, Key Makeup Artist
Tania Ribalow, Makeup Artist
Rachel Geary, Makeup Artist
LuAnn Claps, Personal Makeup Artist
24
Penny Dreadful • Glorious Horrors • Showtime • SHOWTIME Presents in association with SKY
Enzo Mastrantonio, Department Head Makeup Artist
Clare Lambe, Key Makeup Artist
Caterina Sisto, Makeup Artist
Lorraine McCrann, Makeup Artist
Morna Ferguson, Personal Makeup Artist
Vikings • Yol • HISTORY • An Octagon and Take 5 production in association with
Metro-Goldwyn-Mayer for History
Tom McInerney, Department Head Makeup Artist
Katie Derwin, Key Makeup Artist
Ciara Scannel, Makeup Artist
Vinyl • Pilot • HBO • HBO Entertainment in association with Paramount Pictures, Jagged Films,
Sikelia Productions and Cold Front Productions
Nicki Ledermann, Department Head Makeup Artist
Tania Ribalow, Key Makeup Artist
Sunday Englis, Key Makeup Artist
Rachel Geary, Makeup Artist
Michael Laudati, Makeup Artist
Cassandra Saulter, Makeup Artist
Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)
Dancing With The Stars • Halloween Night • ABC • BBC Worldwide Productions
Zena Shteysel, Department Head Makeup Artist
Angela Moos, Key Makeup Artist
Patti Ramsey Bortoli, Additional Makeup Artist
Sarah Woolf, Additional Makeup Artist
Julie Socash, Additional Makeup Artist
Alison Gladieux, Additional Makeup Artist
Grease: Live • FOX • Paramount Television
Zena Shteysel, Department Head Makeup Artist
Angela Moos, Key Makeup Artist
Julie Socash, Additional Makeup Artist
Alison Gladieux, Additional Makeup Artist
Key & Peele • Y’all Ready For This? • Comedy Central • Cindylou, Monkeypaw Productions, Martel
& Roberts Productions, Principato-Young Entertainment, Central Productions
Scott Wheeler, Department Head Makeup Artist
Suzy Diaz, Key Makeup Artist
Jason Hamer, Key Makeup Artist
Natalie Thimm, Key Makeup Artist
Michael Blake, Key Makeup Artist
25
Saturday Night Live • Host: Ryan Gosling • NBC • SNL Studios in association with Universal
Television and Broadway Video
Louie Zakarian, Department Head Makeup Artist
Amy Tagliamonti, Key Makeup Artist
Jason Milani, Key Makeup Artist
Daniela Zivkovic, Makeup Artist
Melanie Demitri, Makeup Artist
Margie Durand, Makeup Artist
The Wiz Live! • NBC • Universal Television, Sony Pictures Television, Storyline Entertainment
Cookie Jordan, Co-Department Head Makeup Artist
Matiki Anoff, Co-Department Head Makeup Artist
Debi Young, Makeup Artist
Stephanie McGee, Makeup Artist
Bjorn Rehbein, Makeup Artist
Christine Domaniecki, Makeup Artist
Outstanding Makeup For A Limited Series Or Movie (Non-Prosthetic)
All The Way • HBO • HBO Films in association with Amblin Television, Tale Told Productions,
Moonshot Entertainment and Everyman Pictures
Bill Corso, Department Head Makeup Artist
Francisco X. Perez, Co-Department Head Makeup Artist
Sabrina Wilson, Key Makeup Artist
American Horror Story: Hotel • FX Networks • 20th Century Fox Television, FX Productions
Eryn Krueger Mekash, Department Head Makeup Artist
Kim Ayers, Assistant Department Head Makeup Artist
Michael Mekash, Assistant Department Head Makeup Artist
Silvina Knight, Makeup Artist
James MacKinnon, Makeup Artist
Sarah Tanno, Makeup Artist
Fargo • FX Networks • MGM Television, FX Productions
Gail Kennedy, Department Head Makeup Artist
Joanne Preece, Assistant Department Head Makeup Artist
Gunther Schetterer, Key Makeup Artist
Danielle Hanson, Key Makeup Artist
The People v. O.J. Simpson: American Crime Story • FX Networks • Fox 21 Television Studios, FX
Productions
Eryn Krueger Mekash, Department Head Makeup Artist
Zoe Hay, Department Head Makeup Artist
Heather Plott, Assistant Department Head Makeup Artist
Deborah Huss Humphries, Makeup Artist
Luis Garcia, Makeup Artist
Becky Cotton, Makeup Artist
26
Roots • Night One • HISTORY • An A+E Studios Production in association with Marc Toberoff
Productions and The Wolper Organization
Aimee Stuit, Department Head Makeup Artist
Christa Schoeman, Department Head Makeup Artist
Niqui da Silva, Key Makeup Artist
Paige Reeves, Key Makeup Artist
Marike Liebetrau, Makeup Artist
Outstanding Prosthetic Makeup For A Series, Limited Series, Movie Or Special
All The Way • HBO • HBO Films in association with Amblin Television, Tale Told Productions,
Moonshot Entertainment and Everyman Pictures
Bill Corso, Special Makeup Effects Department Head
Francisco X. Perez, Co-Department Head Makeup Artist
Sabrina Wilson, Key Makeup Artist
Andrew Clement, Prosthetic Designer
American Horror Story: Hotel • FX Networks • 20th Century Fox Television, FX Productions
Eryn Krueger Mekash, Department Head Makeup Artist
Mike Mekash, Assistant Department Head Makeup Artist
Bradley A. Palmer, Special Makeup Effects Artist
Bart Mixon, Special Makeup Effects Artist
James MacKinnon, Makeup Artist
Kevin Kirkpatrick, Makeup Artist
David Leroy Anderson, Prosthetic Designer
Glen Eisner, Prosthetic Designer
Game Of Thrones • The Door • HBO • HBO Entertainment in association with Bighead, Littlehead;
360 Television and Startling Television
Jane Walker, Department Head Makeup Artist
Sarah Gower, Special Makeup Effects Assistant Department Head
Emma Sheffield, Key Special Makeup Effects Artist
Tristan Versluis, Key Special Makeup Effects Artist
Barrie Gower, Prosthetic Designer
Penny Dreadful • And Hell Itself My Only Foe • Showtime • SHOWTIME Presents in association with
SKY
Nick Dudman, Special Makeup Effects Department Head
Sarita Allison, Key Special Makeup Effects Artist
Barney Nikolic, Special Makeup Effects Artist
Paul Spateri, Special Makeup Effects Artist
Dennis Penkov, Prosthetic Designer
27
The Walking Dead • No Way Out • AMC • AMC Studios / Stalwart Films, LLC / Skybound / Circle of
Confusion / Valhalla Entertainment
Greg Nicotero, Special Makeup Effects Department Head
Jake Garber, Key Special Makeup Effects Artist
Gino Crognale, Special Makeup Effects Artist
Kevin Wasner, Special Makeup Effects Artist
Garrett Immel, Makeup Effects Artist
Kerrin Jackson, Makeup Effects Artist
Carey Jones, Prosthetic Designer
Outstanding Music Composition For A Series (Original Dramatic Score)
Bates Motel • Forever • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin
Productions
Chris Bacon, Music by
Chef’s Table • Grant Achatz • Netflix • Boardwalk Pictures for Netflix
Duncan Thum, Music by
Limitless • Pilot • CBS • CBS Studios, Inc. in association with K/O Paper Products and Relativity
Television
Paul Leonard-Morgan, Music by
Minority Report • Pilot • FOX • 20th Century Fox Television, Paramount Television, Amblin
Television
Sean P. Callery, Music by
Mr. Robot • eps1.0_ hellofriend. mov • USA • USA Network in association with Universal Cable
Productions and Anonymous Content
Mac Quayle, Music by
Penny Dreadful • And They Were Enemies • Showtime • SHOWTIME Presents in association with
SKY
Abel Korzeniowski, Music by
Outstanding Music Composition For A Limited Series, Movie Or Special (Original
Dramatic Score)
All The Way • HBO • HBO Films in association with Amblin Television, Tale Told Productions,
Moonshot Entertainment and Everyman Pictures
James Newton Howard, Music by
Descendants • Disney Channel • Bad Angels Productions, Ltd. / 5678 Productions / Disney
Channel
David Lawrence, Music by
Fargo • Loplop • FX Networks • MGM Television, FX Productions
Jeff Russo, Music by
28
Jesse Stone: Lost In Paradise • Hallmark Channel • Sony Pictures Television
Jeff Beal, Music by
The Night Manager • Episode 2 • AMC • Ink Factory
Victor Reyes, Music by
War & Peace • Part 1 • Lifetime • BBC Cymru Wales, Weinstein Television, LLC, Lookout Point and
BBC Worldwide for Lifetime
Martin Phipps, Music by
Outstanding Music Direction
Danny Elfman’s Music From The Films Of Tim Burton (Live From Lincoln Center) • PBS • A Lincoln
Center Media Production
Danny Elfman, Music Direction by
Jazz At The White House • ABC • Don Mischer Productions
John Beasley, Music Direction by
Sinatra: Voice For A Century (Live From Lincoln Center) • PBS • A Lincoln Center Media Production
Alan Gilbert, Music Direction by
Smithsonian Salutes Ray Charles: In Performance At The White House • PBS • CoMedia, Inc. and
WETA
Rickey Minor, Music Direction by
Christian McBride, Music Direction by
A Very Murray Christmas • Netflix • American Zoetrope, South Beach Productions, Devoted
Productions, JAX Media and Netflix
Paul Shaffer, Music Direction by
Outstanding Original Music And Lyrics
Crazy Ex-Girlfriend • I’m Going on a Date with Josh’s Friend! / Song Title: Settle For Me • CW • CBS
Television Studios and Warner Bros. Television
Adam Schlesinger, Music & Lyrics by
Rachel Bloom, Lyrics by
Jack Dolgen, Lyrics by
Empire • A Rose By Any Other Name / Song Title: Good People • FOX • Imagine Entertainment in
association with 20th Century Fox Television
Jim Beanz, Music & Lyrics by
Galavant • A New Season aka Suck It Cancellation Bear / Song Title: A New Season • ABC • ABC
Studios
Alan Menken, Music by
Glenn Slater, Lyrics by
29
Garfunkel and Oates: Trying To Be Special • Song Title: Frozen Lullaby • Vimeo • Divide / Conquer
Riki Lindhome, Music & Lyrics by
Kate Micucci, Music & Lyrics by
The Hunting Ground • Song Title: ‘Til It Happens To You • CNN • Chain Camera Pictures
Diane Warren, Music & Lyrics by
Outstanding Original Main Title Theme Music
Crazy Ex-Girlfriend • CW • CBS Television Studios and Warner Bros. Television
Rachel Bloom, Theme by
Adam Schlesinger, Theme by
Marvel’s Jessica Jones • Netflix • Marvel Television in association with ABC Studios for Netflix
Sean P. Callery, Theme by
Narcos • Netflix • Gaumont International Television for Netflix
Rodrigo Amarante, Theme by
The Night Manager • AMC • Ink Factory
Victor Reyes, Theme by
Sense8 • Netflix • Unpronounceable for Netflix
Johnny Klimek, Theme by
Tom Tykwer, Theme by
The Whispers • ABC • Clickety-Clack Productions, Amblin Television, ABC Studios
Robert Duncan, Theme by
Outstanding Actor In A Short Form Comedy Or Drama Series
Childrens Hospital • Adult Swim • Abominable Pictures, The Corddry Company and Studio 2.0
Rob Corddry as Dr. Blake Downs
Childrens Hospital • Adult Swim • Abominable Pictures, The Corddry Company and Studio 2.0
Rob Huebel as Dr. Owen Maestro
The Crossroads Of History • HISTORY • Trium Entertainment, Inc. and Maker Studios
Lou Diamond Phillips as Chieftain
The Crossroads Of History • HISTORY • Trium Entertainment, Inc. and Maker Studios
Oscar Nuñez as Jack
Your Pretty Face Is Going To Hell • Adult Swim • Williams Street Studios
Jack McBrayer as Ollie
Outstanding Actress In A Short Form Comedy Or Drama Series
Acting Dead • ActingDead.com • Leonian Pictures
Patrika Darbo as Margot Mullen
Childrens Hospital • Adult Swim • Abominable Pictures, The Corddry Company and Studio 2.0
Erinn Hayes as Lola Spratt
Everyone’s Crazy But Us • FunnyOrDie.com • French Mustache
Janet Varney as Denie Silverman
Fear The Walking Dead: Flight 462 • AMC • AMC Studios
Michelle Ang as Alex
Send Me: an original web series • BET.com • A True/Distance Production
Tracie Thoms as Gwen
Outstanding Narrator
Breakthrough • Decoding the Brain • National Geographic Channel • Imagine Entertainment and
Asylum Entertainment
Adrien Brody, Narrator
Jackie Robinson • PBS • Florentine Films
Keith David, Narrator
38
Jane The Virgin • Chapter Thirty-Four • CW • CBS Television Studios in association with Electus
Anthony Mendez, Narrator
Life Story • First Steps • Discovery Channel • A BBC/Discovery Channel/France Télévisions/Open
University co-production
David Attenborough, Narrator
Roots • HISTORY • An A+E Studios Production in association with Marc Toberoff Productions and
The Wolper Organization
Laurence Fishburne, as Alex Haley (Narrator)
Outstanding Short Form Nonfiction Or Reality Series
Inside Look: The People v. O.J. Simpson: American Crime Story • FX Networks • FX Networks, More
Media
Ryan Murphy, Producer
Ned Martel, Producer
Stephanie Gibbons, Producer
Sally Daws, Producer
Sue Keeton, Producer
Kenna McCabe, Producer
Jay Leno’s Garage • NBC.com • NBC Entertainment
Jay Leno, Executive Producer
Kico Velarde, Supervising Producer
Helga M. Pollack, Producer
Robert Hayes, Producer
Walker Dalton, Producer
David Swift, Producer
National Endowment For The Arts: United States Of Arts • arts.gov • Solaris Media Group
Kimberly A. Austin, Executive Producer
Rachel Klein, Executive Producer
Bradley Glenn, Producer
43
Roots: A New Vision • HISTORY • History Brand Creative
Krista Liney, Executive Producer
A Year In Space • time.com • Red Border Films in association with Reel Peak Films
Mike Beck, Executive Producer
Jeffrey Kluger, Executive Producer
Ian Orefice, Executive Producer
Kira Pollack, Executive Producer
Jonathan D. Woods, Producer
Outstanding Sound Editing For A Series
Black Sails • XX • Starz • Platinum Dunes and Quaker Moving Pictures in
association with Starz Originals
Benjamin Cook, Supervising Sound Editor
Sue Cahill, Supervising Dialogue Editor
Stefan Henrix, ADR Supervisor
Jeffrey A. Pitts, Sound Effects Editor
Tim Tuchrello, Sound Effects Editor
Brett Voss, Sound Effects Editor
Michael Baber, Music Editor
Jeffrey Wilhoit, Foley Artist
Dylan Tuomy-Wilhoit, Foley Artist
54
Game Of Thrones • The Door • HBO • HBO Entertainment in association with Bighead, Littlehead;
360 Television and Startling Television
Tim Kimmel, MPSE, Supervising Sound Editor
Tim Hands, Supervising ADR Editor
Paul Bercovitch, Supervising Dialogue Editor
Paula Fairfield, Sound Designer
Bradley C. Katona, Sound Effects Editor
Michael Wabro, ADR Editor
David Klotz, Music Editor
Brett Voss, Foley Editor
Jeffrey Wilhoit, Foley Artist
Dylan Tuomy-Wilhoit, Foley Artist
Gotham • Azrael • FOX • Warner Bros. Television
George Haddad, Supervising Sound Editor
Julie Altus, Sound Editor
Chad J. Hughes, Sound Editor
Dale Chaloukian, Sound Editor
Ashley Revell, Music Editor
Joseph T. Sabella, Foley Artist
Joan Rowe, Foley Artist
Marvel’s Daredevil • New York’s Finest • Netflix • Marvel Television in association with ABC
Studios for Netflix
Lauren Stephens, Supervising Sound Editor
Jordan Wilby, Sound Designer
Jonathan Golodner, Sound FX Editor
Christian Buenaventura, Dialogue Editor
Greg Vines, Music Editor
Zane Bruce, Foley Artist
Lindsay Pepper, Foley Artist
Vikings • The Last Ship • HISTORY • An Octagon and Take 5 production in association with
Metro-Goldwyn-Mayer for History
Jane Tattersall, Supervising Sound Editor
David McCallum, Supervising Dialogue Editor
Dale Sheldrake, Supervising ADR Editor
Steve Medeiros, Sound Effects Editor
Brennan Mercer, Sound Effects Editor
Yuri Gorbachow, Music Editor
Andy Malcolm, Foley Artist
Goro Koyama, Foley Artist
Outstanding Sound Editing For A Limited Series, Movie Or Special
55
American Horror Story: Hotel • Checking In • FX Networks • 20th Century Fox Television, FX
Productions
Gary Megregian, MPSE, Supervising Sound Editor
Steve M. Stuhr, Dialogue Editor
Jason Krane, MPSE, Dialogue Editor
Timothy A. Cleveland, Sound Effects Editor
Paul Diller, MPSE, Sound Effects Editor
David Klotz, Music Editor
Noel Vought, Foley Artist
Ginger Geary, Foley Artist
Fargo • The Castle • FX Networks • MGM Television, FX Productions
Kurt N. Forshager, Co-Supervising Sound Editor
Joe Bracciale, Co-Supervising Sound Editor
Robert Bertola, Sound Effects Editor
Paul Shikata, Sound Effects Editor
Mark Bensi, Music Editor
John Elliot, Foley Artist
The Night Manager • Episode 5 • AMC • Ink Factory
Adam Armitage, Effects Editor
Howard Bargroff, Sound Editor
Alex Sawyer, Dialogue Editor
Peter Melemendjian, Dialogue Editor
Barnaby Smith, Foley Artist
Roots • Night Two • HISTORY • An A+E Studios Production in association with Marc Toberoff
Productions and The Wolper Organization
Gary Megregian, MPSE, Supervising Sound Editor
Stuart Martin, ADR Supervisor
Andrew Dawson, ADR Editor
Steve M. Stuhr, Dialogue Editor
Jason Krane, MPSE, Dialogue Editor
Christian Bueneventura, Dialogue Editor
Timothy A. Cleveland, Sound Effects Editor
Paul Diller, MPSE, Sound Effects Editor
John Snider, Sound Effects Editor
Marcello Dubaz, Sound Effects Editor
Michael Sana, Sound Effects Editor
Daniel Salas, Sound Effects Editor
Matt Shelton, Music Editor
Noel Vought, Foley Artist
Ginger Geary, Foley Artist
56
Sherlock: The Abominable Bride (Masterpiece) • PBS • Hartswood Films for BBC One in
co-production with MASTERPIECE
Douglas Sinclair, Supervising Sound Editor
Paul McFadden, Dialogue Editor
Jonathan Joyce, Sound Editor
Stuart McCowan, Sound Editor
Howard Bargroff, Sound Editor
Rael Jones, Music Editor
Jamie Talbut, Foley Editor
Julie Ankerson, Foley Artist
Outstanding Sound Editing For A Nonfiction Program (Single Or Multi-Camera)
Anthony Bourdain: Parts Unknown • Okinawa • CNN • Zero Point Zero Productions
Brian Bracken, Sound Editor
Nick Brigden, Co-Sound Designer
Cartel Land • A&E • Our Time Projects and Documentary Group in association with Whitewater
Films for A&E IndieFilms
Ryan Collison, Sound Editor
Jonathan Fang, Sound Editor
Leslie Bloome, Sound Editor
Mark Filip, Sound FX Editor
Billy Orrico, Dialogue Editor
Sean Garnhart, Sound Designer
He Named Me Malala • National Geographic Channel • Fox Searchlight Pictures in association with
Image Nation Abu Dhabi and Participant Media
Skip Lievsay, Supervising Sound Editor
PK Hooker, Sound Editor
Susan Dubek, Dialogue Editor
Bill Bernstein, Music Editor
Making A Murderer • Lack Of Humility • Netflix • A Synthesis Films Production for Netflix
Daniel Ward, Sound Editor
Leslie Bloome, Foley Artist
What Happened, Miss Simone? • Netflix • A RadicalMedia Production in association with Moxie
Firecracker for Netflix
Joshua L. Pearson, Sound Editor
Dan Timmons, Sound Designer
Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)
57
Better Call Saul • Klick • AMC • Sony Pictures Television / Gran Via Productions
Larry B. Benjamin, Re-Recording Mixer
Kevin Valentine, Re-Recording Mixer
Phillip W. Palmer, Production Mixer
Downton Abbey • Episode 9 • PBS • A Carnival Films/MASTERPIECE co-production in association
with NBCUniversal
Nigel Heath, Re-Recording Mixer
David Lascelles, Production Mixer
Game Of Thrones • Battle Of The Bastards • HBO • HBO Entertainment in association with
Bighead, Littlehead; 360 Television and Startling Television
Onnalee Blank, C.A.S., Re-Recording Mixer
Mathew Waters, C.A.S., Re-Recording Mixer
Richard Dyer, Production Mixer
Ronan Hill, C.A.S., Production Mixer
House Of Cards • Chapter 52 • Netflix • Donen/Fincher/Roth and Trigger Street Productions, Inc.
in association with Media Rights Capital for Netflix
Scott R. Lewis, Re-Recording Mixer
Nathan Nance, Re-Recording Mixer
Lorenzo Millan, Production Mixer
Mr. Robot • eps1.5_br4ve-trave1er.asf • USA • USA Network in association with Universal Cable
Productions and Anonymous Content
John W. Cook II, Re-Recording Mixer
Bill Freesh, Re-Recording Mixer
Timothia Sellers, Production Mixer
Andrew Morgado, Foley/ADR Mixer
Ray Donovan • Exsuscito • Showtime • SHOWTIME Presents, The Mark Gordon Company, David
Hollander Productions
Robert Edmondson, Re-Recording Mixer
R. Russell Smith, Re-Recording Mixer
Harrison ‘Duke’ Marsh, Production Mixer
Outstanding Sound Mixing For A Limited Series Or Movie
Fargo • Gift Of The Magi • FX Networks • MGM Television, FX Productions
Martin Lee, Re-Recording Mixer
Kirk Lynds, Re-Recording Mixer
Michael Playfair, C.A.S., Production Mixer
The Night Manager • Episode 5 • AMC • Ink Factory
Howard Bargroff, Re-Recording Mixer
Aitor Bernguer, Production Mixer
58
The People v. O.J. Simpson: American Crime Story • From The Ashes Of Tragedy • FX Networks •
Fox 21 Television Studios, FX Productions
Doug Andham, C.A.S., Re-Recording Mixer
Joe Earle, C.A.S., Re-Recording Mixer
John Bauman, C.A.S., Production Mixer
Sherlock: The Abominable Bride (Masterpiece) • PBS • Hartswood Films for BBC One in
co-production with MASTERPIECE
Howard Bargroff, Re-Recording Mixer
John Mooney, Production Mixer
Peter Gleaves, ADR Mixer
Nick Wollage, Music Mixer
True Detective • Down Will Come • HBO • HBO Entertainment in association with Neon Black,
Anonymous Content, Parliament of Owls and Passenger
Daniel J. Leahy, Re-Recording Mixer
Steve Pederson, Re-Recording Mixer
Geoffrey Patterson, Production Mixer
Ron Bedrosian, ADR Mixer
Outstanding Sound Mixing For A Comedy Or Drama Series (Half-Hour) And
Animation
Modern Family • The Storm • ABC • Picador Productions and Steven Levitan Productions in
association with 20th Century Fox Television
Brian R. Harman, Re-Recording Mixer
Dean Okrand, Re-Recording Mixer
Stephen A. Tibbo, Production Mixer
Mozart In The Jungle • Nothing Resonates Like Rhinoceros Foreskin • Amazon • Amazon Studios
Andy D’Addario, Re-Recording Mixer
Thomas Varga, Production Mixer
Bill Higley, ADR Mixer
Chris Navarro, ADR Mixer
Silicon Valley • Bachmanity Insanity • HBO • HBO Entertainment in association with Judgemental
Films, Alec Berg and 3 Arts Entertainment
Todd Beckett, Re-Recording Mixer
Elmo Ponsdomenech, Re-Recording Mixer
Ben Patrick, C.A.S., Production Mixer
The Simpsons • Halloween of Horror • FOX • Gracie Films in association with 20th Century Fox
Television
Mark Linden, Re-Recording Mixer
Tara Paul, Re-Recording Mixer
59
Veep • Congressional Ball • HBO • HBO Entertainment
John W. Cook II, Re-Recording Mixer
Bill Freesh, Re-Recording Mixer
Bill MacPherson, Production Mixer
Outstanding Sound Mixing For A Variety Series Or Special
Danny Elfman’s Music From The Films Of Tim Burton (Live From Lincoln Center) • PBS • A Lincoln
Center Media Production
Ken Hahn, Re-Recording Mixer
Paul Bevan, Production Mixer
Grease: Live • FOX • Paramount Television
J. Mark King, Production Mixer
Biff Dawes, Music Mixer
Eric Johnston, Playback and SFX Mixer
Bob LaMasney, Audience Sweetener
Pablo Munguia, Protools Playback Music Mixer
Kevin Wapner, Foldback Mixer
John Protzko, Foldback Mixer
John Garlick, PA Mixer
Barrance D. Warrick, Monitor Mixer
Last Week Tonight With John Oliver • Episode 225 • HBO • HBO Entertainment in association with
Sixteen String Jack Productions and Avalon Television
Charlie Jones, Music Mixer
Steve Watson, Audio Mixer
Steve Lettie, PA Mixer
Tony Rollins, Monitor Mixer
The Oscars • ABC • The Academy of Motion Picture Arts and Sciences
Paul Sandweiss, Broadcast Production Mixer
Tommy Vicari, Broadcast Music Mixer
Marc Repp, Broadcast Music Mixer
Pablo Munguia, Pro Tools Mixer
Michael Parker, Monitor Mixer
Tom Pesa, Orchestra Monitor Mixer
Patrick Baltzell, FOH Mixer
Kristian Pedregon, Post Production and Package Mixer
Bob LaMasney, Audience Sweetener
60
The Voice • Episode 1018A • NBC • MGM Television, Talpa Media USA, Inc. and Warner Horizon
Television
Michael Abbott, Broadcast Production Mixer
Randy Faustino, Broadcast Music Mixer
Kenyata Westbrook, Reality Supervising Production Mixer
John Koster, Production Reality Mixer
Robert P. Matthews, Jr., Production Reality Mixer
Sterling Cross, Production Reality Mixer
Ryan Young, Re-Recording Mixer
Brian Riordan, Re-Recording Mixer
Tim Hatayama, Re-Recording Music Mixer
Eric White, Re-Recording Music Mixer
William Dietzman, Monitor Mixer/Music Mixer Reality
Eddie Marquez, Interstitial Playback Music Mixer
Christian Schrader, Supplemental Audio Mixer
Andrew Fletcher, House PA Mixer
Outstanding Sound Mixing For A Nonfiction Program (Single or Multi-Camera)
Anthony Bourdain: Parts Unknown • Ethiopia • CNN • Zero Point Zero Productions
Benny Mouthon, Re-Recording Mixer
Deadliest Catch • Carpe Diem • Discovery Channel • Original Productions, LLC for Discovery
Channel
Bob Bronow, C.A.S., Re-Recording Mixer
Making A Murderer • Lack Of Humility • Netflix • A Synthesis Films Production for Netflix
Leslie Shatz, Re-Recording Mixer
Vice • Fighting Isis • HBO • HBO Entertainment in association with Vice and Bill Maher Productions
Erik Schuiten, Re-Recording Mixer
What Happened, Miss Simone? • Netflix • A RadicalMedia Production in association with Moxie
Firecracker for Netflix
Tony Volante, Re-Recording Mixer
Tammy Douglas, Production Mixer
Outstanding Special Visual Effects
61
Black Sails • XX • Starz • Platinum Dunes and Quaker Moving Pictures in association with Starz
Originals
Erik Henry, Senior Visual Effects Supervisor
Terron Pratt, Visual Effects Producer
Ashley J. Ward, Visual Effects Production Coordinator
Jeremy Hattingh, On-Set Visual Effects Supervisor
Paul Stephenson, Special Effects Supervisor
Aladino Debert, Lead VFX Artist
Greg Teegarden, Lead CG Artist
Olaf Wendt, Lead CG Artist
Yafei Wu, Lead CG Artist
Game Of Thrones • Battle Of The Bastards • HBO • HBO Entertainment in association with
Bighead, Littlehead; 360 Television and Startling Television
Steve Kullback, Lead Visual Effects Producer
Joe Bauer, Lead Visual Effects Supervisor
Adam Chazen, Visual Effects Associate Producer
Derek Spears, Lead CG Supervisor
Eric Carney, Visual Effects Plate Supervisor
Sam Conway, Special Effects Supervisor
Matthew Rouleau, CG Supervisor
Michelle Blok, Previs Supervisor
Glenn Melenhorst, VFX Supervisor
The Man In The High Castle • The New World • Amazon • Amazon Studios
Curt Miller, VFX Supervisor
Jeff Baksinski, VFX Supervisor
Terry Hutcheson, VFX Producer
Sean Tompkins, VFX Producer
Dan Kruse, CG Supervisor
Christina Murguia, CG Lead
Nate Overstrom, Compositing Supervisor
Jim Hawkins, Matte Painting Supervisor
Penny Dreadful • And They Were Enemies • Showtime • SHOWTIME Presents in association with
SKY
James Cooper, Visual Effects Supervisor
Bill Halliday, Visual Effects Producer
Sarah McMurdo, Visual Effects Producer
Mai-Ling Lee, CG Supervisor
Greg Astles, Compositing Supervisor
Ricardo Gomez, Asset Lead
Matt Ralph, Tracking & Layout Lead
Alexandre Scott, Lighting Lead
Kyle Yoneda, FX Lead
62
Vikings • The Last Ship • HISTORY • An Octagon and Take 5 production in association with
Metro-Goldwyn-Mayer for History
Dominic Remane, Visual Effects Supervisor
Bill Halliday, Visual Effects Producer
Michael Borrett, Visual Effects Producer
Paul Wishart, CG Supervisor
Ovidiu Cinazan, Lead Compositor
Jim Maxwell, Lead Matte Painter
Kieran McKay, Lead Animator
Jeremy Dineen, Lead FX Artist
Tom Morrison, Lead Lighter
Outstanding Special Visual Effects In A Supporting Role
Better Call Saul • Fifi • AMC • Sony Pictures Television / Gran Via Productions
William Powloski, Visual Effects Supervisor/Producer
Eric Chauvin, Matte Artist
Erin Kanoa, Digital Artist
11.22.63 • The Rabbit Hole • Hulu • Bad Robot Productions in association with Warner Bros.
Television
Jay Worth, Visual Effects Supervisor
Ashley Mayse, VFX Producer
Brendan Taylor, VFX Supervisor
Winson Lee, Comp Supervisor
Rob Del Ciancio, Compositor
Rob Greb, Compositor
Bruce Branit, CG Supervisor and Artist
Daniel Mellitz, Compositing Supervisor
Dominic Cheung, CG Artist
Hannibal • Primavera • NBC • De Laurentiis Company and Living Dead Guy Productions in
association with Gaumont Television
Anthony Paterson, Visual Effects Producer
Robert Crowther, Visual Effects Supervisor
Thomas Plaskett, VFX Coordinator
Jay Stanners, Digital Compositor
Rob Tasker, Digital Compositor
Terence Krueger, 3D Artist
John Coldrick, 3D Supervisor
63
Sherlock: The Abominable Bride (Masterpiece) • PBS • Hartswood Films for BBC One in
co-production with MASTERPIECE
Danny Hargreaves, SFX Supervisor
Henry Brook, SFX Senior Technician
Dewi Foulkes, SFX Technician
JC Deguara, VFX Supervisor
Natalie Reid, VFX Producer
Sara Bennett, 2D Supervisor
Matias Derkacz, 2D Lead
Neil Alford, 2D Lead
Amy Felce, Matchmove Supervisor
The Walking Dead • No Way Out • AMC • AMC Studios / Stalwart Films, LLC / Skybound / Circle of
Confusion / Valhalla Entertainment
Victor Scalise, Visual Effects Supervisor
Matt Robken, Visual Effects Producer
Darrell Dean Pritchett, Special Effects Supervisor
David Alexander, CG Supervisor
Michael Crane, Compositing Supervisor
Chad Hudson, Visual Effects Producer
Staffan Linder, Visual Effects Supervisor
Sean Ritchie, 3D Artist
Aldo Ruggiero, Compositing Supervisor
Outstanding Stunt Coordination For A Comedy Series Or Variety Program
Angie Tribeca • TBS • Carousel Television / TBS Productions in association with Turner North
Center Productions, Inc.
Erik Solky, Stunt Coordinator
Brooklyn Nine-Nine • FOX • Universal Television, Fremulon, Dr. Goor Productions and 3 Arts
Entertainment
Norman Howell, Stunt Coordinator
K.C. Undercover • Disney Channel • Rob Lotterstein Productions / It’s a Laugh Productions
Hiro Koda, Stunt Coordinator
Timothy Eulich, Stunt Coordinator
Saturday Night Live • NBC • SNL Studios in association with Universal Television and Broadway
Video
Brian Smyj, Stunt Coordinator
Shameless • Showtime • SHOWTIME Presents, John Wells Productions, Warner Bros. Television
Eddie Perez, Stunt Coordinator
Outstanding Stunt Coordination For A Drama Series, Limited Series Or Movie
64
The Blacklist • NBC • Davis Entertainment in association with Sony Pictures Television
Cort L. Hessler III, Stunt Coordinator
Game Of Thrones • HBO • HBO Entertainment in association with Bighead, Littlehead; 360
Television and Startling Television
Rowley Irlam, Stunt Coordinator
Gotham • FOX • Warner Bros. Television
Norman Douglass, Stunt Coordinator
Marvel’s Daredevil • Netflix • Marvel Television in association with ABC Studios for Netflix
Philip J. Silvera, Stunt Coordinator
Rush Hour • CBS • Doozer in association with Warner Bros. Television
Jeff Wolfe, Stunt Coordinator
Outstanding Technical Direction, Camerawork, Video Control For A Series
The Big Bang Theory • The Celebration Experimentation • CBS • Chuck Lorre Productions, Inc. in
association with Warner Bros. Television
Brian Wayne Armstrong, Camera
John Pierre Dechene, Camera
James L. Hitchcock, Camera
Richard G. Price, Camera
John D. O’Brien, Video Control
Dancing With The Stars • The Finals (Part 2) • ABC • BBC Worldwide Productions
Charles Ciup, Technical Director
Brian Reason, Camera
Hector Ramirez, Camera
Nat Havholm, Camera
Jeff Wheat, Camera
Bert Atkinson, Camera
Bettina Levesque, Camera
Adam Margolis, Camera
Damien Tuffereau, Camera
Easter Xua, Camera
Mike Malone, Camera
Rob Palmer, Camera
Ron Lehman, Camera
Keith Dicker, Camera
Mike Carr, Camera
Ed Horton, Camera
Dyan Sanford, Camera
Freddy Frederick, Camera
Chris Hill, Video Control
Ed Moore, Video Control
65
Jimmy Kimmel Live • In Brooklyn • ABC • ABC Studios in association with Jackhole Industries, Inc.
Ervin D. Hurd, Technical Director
Kris Wilson, Camera
Parker Bartlett, Camera
Greg Grouwinkel, Camera
Nick Gomez, Camera
Garret Hurt, Camera
Bernd Reinhardt, Camera
Mark Gonzales, Camera
James Alario, Camera
Kevin Murphy, Camera
Carlos Rios, Camera
Guy Jones, Video Control
Last Week Tonight With John Oliver • Episode 303 • HBO • HBO Entertainment in association with
Sixteen String Jack Productions and Avalon Television
Dave Saretsky, Technical Director
John Harrison, Camera
Dante Pagano, Camera
Paul Cangialosi, Camera
Nick Fayo, Camera
Ray Hoover, Camera
Augie Yuson, Video Control
Saturday Night Live • Host: Ariana Grande • NBC • SNL Studios in association with Universal
Television and Broadway Video
Steven Cimino, Technical Director
John Pinto, Camera
Paul Cangialosi, Camera
Len Wechsler, Camera
Joe DeBonis, Camera
Eric A. Eisenstein, Camera
Susan Noll, Video Control
Frank Grisanti, Video Control
66
The Voice • Episode 917A • NBC • MGM Television, Talpa Media USA, Inc. and Warner Horizon
Television
Allan Wells, Technical Director
Terrance Ho, Senior Video Control
Diane Biederbeck, Camera
Suzanne Ebner, Camera
Guido Frenzel, Camera
Nick Gomez, Camera
Alex Hernandez, Camera
Dave Hilmer, Camera
Marc Hunter, Camera
Scott Hylton, Camera
Katherine Iacofono, Camera
Scott Kaye, Camera
Ron Lehman, Camera
Jofre Rosero, Camera
Steve Simmons, Camera
Dan Webb, Camera
Outstanding Technical Direction, Camerawork, Video Control For A Limited Series,
Movie Or Special
Adele Live In New York City • NBC • Melted Stone Ltd., Broadway Video, Universal Television
Steve Cimino, Technical Director
Jerry Cancél, Camera
Joseph DeBonis, Camera
Eric Eisenstein, Camera
Rick Fox, Camera
Rich Freedman, Camera
Chuck Goslin, Camera
Ernie Jew, Camera
Jay Kulick, Camera
Jeff Latonero, Camera
Brian Phraner, Camera
John Pinto, Camera
Tim Quigley, Camera
Mark Renaudin, Camera
Carlos Rios, Camera
Claus Stuhlweissenburg, Camera
William Steinberg, Video Control
Susan Noll, Video Control
Tami Ruddy, Video Control
67
Grease: Live • FOX • Paramount Television
Eric Becker, Technical Director
Bert Atkinson, Camera
Keith Dicker, Camera
Randy Gomez, Sr., Camera
Nat Havholm, Camera
Ron Lehman, Camera
Dave Levisohn, Camera
Tore Livia, Camera
Mike Malone, Camera
Adam Margolis, Camera
Rob Palmer, Camera
Brian Reason, Camera
Damien Tuffereau, Camera
Easter Xua, Camera
Chris Hill, Video Control
Matt Pascale, Video Control
The Oscars • ABC • The Academy of Motion Picture Arts and Sciences
Kenneth Shapiro, Technical Director
Eric Becker, Technical Director
John Pritchett, Technical Director
Mark Whitman, Camera
Easter Xua, Camera
Rob Balton, Camera
Danny Bonilla, Camera
Robert Del Russo, Camera
David Eastwood, Camera
Jay Kulick, Camera
Brian Lataille, Camera
Tore Livia, Camera
Rob Palmer, Camera
Ralph Bolton, Jr., Camera
David Carline, Camera
Dan Webb, Camera
Garrett Hurt, Camera
Helena Jackson, Camera
Greg Smith, Camera
David Plakos, Camera
Freddy Fredericks, Camera
Keith Winikoff, Video Control
Guy Jones, Video Control
Terrance Ho, Video Control
68
69th Annual Tony Awards • CBS • White Cherry Entertainment
Eric Becker, Technical Director
Mike Anderson, Technical Director
Kai-Lai Wong, Senior Video Control
J.M. Hurley, Senior Video Control
Bob DelRusso, Camera
Charlie Huntley, Camera
Ernie Jew, Camera
John Kosmaczwski, Camera
Jay Kulick, Camera
Tore Livia, Camera
John Meiklejohn, Camera
Lyn Noland, Camera
Jimmy O’Donnell, Camera
Mark Whitman, Camera
Rob Balton, Camera
The Wiz Live! • NBC • Universal Television, Sony Pictures Television, Storyline Entertainment
Bob Muller, Technical Director
Emmett Loughran, Technical Director
Miguel Armstrong, Camera
Rob Balton, Camera
Manny Gutierrez, Camera
Shaun Harkins, Camera
Jeff Latonero, Camera
Jay Millard, Camera
Jimmy O’Donnell, Camera
David Smith, Camera
Claus Stuhlweissenburg, Camera
Ron Washburn, Camera
Mark Whitman, Camera
Billy Steinberg, Video Control
JC Castro, Video Control
Summer Camp was better than ever. Amazingly talented kids and teens having WAY too much fun.
We are back Saturdays this fall. First Class is Sept 10. Performance Showcase will be November 12
Comedy 4 Teens at 10am
Comedy 4 Kids at Noon
Space is limited so please sign up early (If we know we are going to be full soon we can add sections as needed).
These classes include both Improv & Stand-Up Comedy to teach the widest range of valuable life and performing skills…
Check out this scene form our Summer Camp Week Two Showcase July 8, 2016, where two ten year olds may have delivered the best Improv I have ever scene.
Before taking a class, come check out the pros playing. CLICK HERE for full calendar and discount tickets. All matinee shows are family friendly. Some teens might prefer our evening shows. Here is a scene from July 9 show with teachers, Walt Frasier and Liz Lord.
Look for our students on NETFLIX – Coming soon Julie Andrew’s Greenroom, our teen students were filmed this spring to showcase Improv Comedy on an episode to feature Ellie Kemper (Kimmy Schmidt).
ALSO listen for our students alternating with our professional cast in a new IMPROV 4 KIDS radio show on iREAD2KNOW on iHEART Radio.
Bring your student groups from K-12 schools, camps and community centers for a field trip. Every day we have 50-200 students by the bus load seeing a show and taking a workshop with our professional teaching artists. EMAIL eightimprov@gmail.com for more info, dates and rates
MORE VIDEOS from STUDENTS
Often times Improv Players are so focused on what to say they forget one of the most important elements of theater – movement. Using these directing concepts in your Improvisation can often make a good scene great.
When creating a scene, two players simultaneous write and direct their own performance. Here are a few tips to consider when directing yourselves in a scene. Remember movement choices – pantomime and blocking – must get the same “YES! And…” treatment as your spoken lines of dialogue.
Think about it, there is great theater and dance that uses no words. Entire stories are told through movement. But think of the last time you saw a show where someone just talked. BORING! Even most college professors MOVE when they lecture. The most beginner speech makers use hands and body language to help support the words. To be great performers of Improvisation we MUST discover movement and consider theater directing techniques in our performances.
Just to cover the basics, take a look at this diagram.
It is important to understand space on a stage. Space between the players, your relationship to the audience on stage and more.
Downstage Center stage towards the audience is the strongest position on stage. When you make a big statement, that is the most effective place to be to make sure your intentions are fully realized.
In the Downstage Left and Right corners you have slightly less “power” but these positions are great for being coy, or manipulative. Maybe you are being flirtatious. Maybe you are trying to get the other character to do something. Maybe you are just investigating your imaginary world. Explore these downstage corners to see how you can change the tone and mood of a scene just by your position on stage.
Upstage Left and Right corners are the weakest positions onstage. They are great places to express distance, shyness, fear, and other less strong emotional states. Maybe your character is emotionally or physically hurt and hiding from the world. Maybe you are simply hiding and preparing to catch another character by surprise. Don’t get lost upstage, which is typical of new performers and an expression of insecurity. But using these spaces to express these feelings of you character can be an element of powerful story telling.
Great live theater performers and directors are constantly seeking new ways to use position on stage to enhance the characters’ moods and emotions and a scene’s tone. Experiment in your scene work. Move around and see how stage positions alone effect you , your scene partners and the audience.
Where do you face when standing on stage?
FULL FRONT: Player faces the audience (or camera). This is considered to be the strongest of all positions. Used too often you lack relation with your scene partners. When you have something important to say, turn to the audience and say it. WARNING: “BREAKING” the fourth wall is not the same as acting to the fourth wall. We say put all of your pantomime towards the audience. But if you actually look the audience in the eye, you bring them into your scene as characters in your story. On purpose then can be a lot of fun. Accidentally you can erase the imaginary world you and the audience have created together.
FULL BACK: Players face completely upstage. With purpose a FULL BACK position is a display of defiance, turning your back to the world, or just a character. Too much time away from the audience and they will want their money back. Too often and one gets lost upstage. Accidentally employed and an actor seems rank amateurish. I have watched entire scenes where a newbie stood right in front of another player full back to audience for most of the scene. They were making decent choices in the story telling but we never got to relate to their characters. The audience gets uncomfortable. You may hear your teachers/director say, “WHERE’s THE AUDIENCE?” NOTE: Making the audience feel uncomfortable is powerful, again ONLY when on purpose. Accidentally you lose their attention and respect.
PROFILE: You are standing looking directly at your scene partner. Spend too much time here and you audience feels left out. You will hear teachers/directors say, “Cheat out more.” But when your character has to make a strong point to another character go for it. This can be a very strong position of confrontation.
STANDING AT THE QUARTER or 1/4 FRONT: Your body position is sharing relation with both audience and scene partner. You may hear your teacher/director say cheat out. Most often in live theater we stand at the 1/4. It is a relatively strong position that allows us to relate to our other actors on stage while keeping the audience in on the story. When in doubt make this your GO TO body position.
THREE QUARTER BACK: Your body is angled partially upstage. This is relatively a weak position, often weaker than a FULL BACK. FULL BACK often shows defiance or a way to throw focus to something upstage. 3/4 back can be used to show shyness, fear / cowering, sly maneuvers, whispering secrets in one’s ear and more.
IT’S ALL ABOUT THE LEVELS
Another way to make scenes more interesting is to play with levels. There is the classic game SITTING, STANDING and KNEELING (Or LAYING DOWN is come circles). When two actors always just stand and talk to each other it’s boring. Experiment with kneeling down, crouching, sitting, standing on a chair, and other ways to mix up the visual looks of your scenes. Also see how standing completely erect versus slumping effects your characters. How does gravity effect your characters (age, illness, injury etc). Make some big bold choices.
A director is always considering focus. In TV and FILM the camera tells an audience where to look. In live theater it is up to the actors and director to help steer the audience focus to help tell the story.
Simply put, this means that in the moment there is a single focus. Most often in a simple scene the Primary Focus is the person talking. Everyone else on stage is throwing focus to the speaker. Once that speaker ends their speech, the Primary Focus shifts to another character.
How do we create Primary Focus?
PRIMARY FOCUS is create when every one and every thing on stage is focused on a single subject. To achieve this everyone on stage should be 100% focused on the subject. If a speaker is the focus, all other players should be relatively still with their eyes and bodies facing the speaker. In traditional theater we use lights, costumes, sets and props to help develop a flow of focus, planned by the director and design team. In Improv all we have is our pantomime and our eyes. Where we look the audience will look.
If you fidget, your movement will steal focus from the speaker. Young and Amateur performers often steal focus accidentally simply because they are not focused in the moment. This is very distracting to the audience, not to mention the teachers hate it.
However, a purposeful fidget by your character my steal focus on purpose. Be aware of your movement on stage, as it is very powerful in regards to these matters.Make big choices, but sometimes that big choice is a subtle movement full of meaning.
After you deliver your details, YES ANDING your scene partner, throw all focus to your partner. Be a great team make. Don’t hog the scene or focus of the scene.
TIP: Throwing focus to your scene partner also helps you become a better listener. As you stare at your partner’s character you listen with your eyes as well as your ears. As you once again respond with positive reinforcing details, your part in writing the scene will be so much more full of rich content, because you are completely working as a strong team.
SHARED FOCUS / SPLIT FOCUS / SECONDARY FOCUS
Shared focus is when to characters or object share equal weight. Perhaps two characters are shouting at each other face to face, splitting center stage and for that moment almost become a single primary focus.
Split focus is like a 7-10 split in bowling. Those two foci are not together and the audience will find themselves torn between the two. Perhaps two characters are at the opposite downstage corners. Both have equal importance. The audience’s eye rapidly goes back and forth so as not to miss anything important.
Secondary focus, which is the most common of the three, has the two foci out of balance. Perhaps a character is monologue-ing their life story down stage. At the same time another character is sneaking in to BOP them on the head. At different times either character may take the Primary focus.
When you just stand and talk, we call that talking heads. BORING! Great theater requires moving around on stage; so should Improv scenes. Discover your imaginary worlds. Make big choices about movement. Use movement to support your words and inner monologues alike.
CROSSES and COUNTER CROSSES
When you move from one position on stage to another this is called a CROSS.
When your scene partner cross stage, you might (almost always should) want to COUNTER CROSS. A counter cross allows you to maintain a balanced stage. The counter cross may keep you from upstaging yourself.
DIRECT CROSS
The shortest distance from point A to point B is a straight line. Often this is the strongest cross. You have a big argument to make. Maybe you are attacking another character verbally or physically.
STRONG / WEEK CROSSES
The strongest cross is a direct line downstage center. It is weaker to cross away form downstage.
CURVED CROSSES
While crossing directly downstage or to a character is stronger, a curved cross gives much more interesting imagery.
To perform a simple “C” cross, take a large side step upstage before crossing your destination. This allows you to basically cross stage without upstaging yourself. C crosses can be almost as strong as a direct cross but allowing a little more character in the movement.
“S” crosses are my favorite. An “S” cross is similar to a snake’s movement. Instead of a straight line we wander up and down stage as we cross. Our weaving movement can show intention. Maybe we are flirting. Perhaps we are conniving and planning. Perhaps we are sizing up a situation or character.
Experiment with movement to different parts of the stage. Walking in various patterns will enhance your characters’ intentions, moods, and emotions.
TYPES OF MOVEMENT
Go sit in the park and watch the world move. What do you see? How do people move? How do the animals move? Think about how the movement relates to the rest of the world.
When we move on stage, or goal is to recreate life. As we tell stories and create scenes, we move like our characters would in the real world. Or sometimes we move in contrast to what would be expected to affect tone and mood.
How we move is very powerful in our development of characters and stories.
WHAT EFFECTS MOVEMENT?
Think about what makes you “YOU” in this very moment.
At any given moment you movement will be effected by all of the above and more. think about how you change based on your surroundings and situations.
To play a scene for real, an actor considers all of these elements and more. In Improv, we do not have the time to prepare our characters, so do your homework. In a journal start reporting how you and other move at different times of the day, in different locations, during different levels of light and temperature. Record how your clothes effect your movement. Record how your relationship to your surroundings (people and things) effects your movement. The more you observe and report via your journal, the more you will be considering your all these elements in a scene.
Experiment making some BIG CHOICES regarding movement in your scenes.
TIP: Every movement starts with a breath. In real life our breath changes as we react to our world. Conversely start every BIG CHOICE with a breath! Breathe in the emotion/thought/intent of WHY you are crossing stage. Breathe in your emotional response to the weather, other characters, situations and more.
In scenes with 3 or more players we really need to start thinking about staging. In addition to all of the above consider this, NEVER STAND IN A STRAIGHT LINE UNLESS IT IS ON PURPOSE.
Anytime three or more players stand in a line it looks unnatural, unless you are purposefully playing a scene where the characters should be in a line (Dancing, Waiting for DMV, Police line-up, etc.)
Instead consider triangles. I know, EW, GEOMETRY!
There are basically two kind of triangles on stage.
DOWNSTAGE POINT – three players stand with one player downstage and two relatively upstage. This usually throws focus to the top of the point.
UPSTAGE POINT – Two players downstage with one player upstage. This is the most common as it allows all three players to easily relate to each other.
Now as you consider all of the above components – Stage Position, Body Position, Stage Movement – consider your spontaneous direction as a series of triangles. At times two players may stand closer together, leaving the third more alone, excluded. Other times there maybe equal space between the characters. PRIMARY focus will now shift between three players. Two listeners will strongly throw focus to the third.
A director often will show the progress of conflict as a series of triangles. the shapes of the triangle changes as allegiances change. PRIMARY FOCUS shifts as various character take the power of a moment.
Experiment with triangle in three person scenes. In large groups, still think about triangles. Perhaps 2-3 maybe hanging as a single point in the triangle.
Remember, all rules are meant to be broken. This is especially true in Improv. But to truly be a great artist, breaking rules on purpose, we want to know the rules so we can always find our center, if only for a moment. Rank amateurs often have the most fun in our world, right? Ignorance is bliss. A little knowledge is terrible to an artist. It makes us THINK – EW! But over time, when you employ performance and writing technique in your work, they eventually become ingrained in your soul. You react to the world naturally again, but now empowered by the tools to make your story telling and performances amazing.
FALL COMEDY CLASSES ANNOUNCED for Adults, Teens, & Kids too! Times Square NYC
Want to arrange a private sessions for your corporate, teen or other group. EMAIL (eightimprov@gmail.com) for dates & rates now!
COME SEE A PROFESSIONAL IMPROV COMEDY SHOW IN TIMES SQUARE THIS WEEKEND. CLICK HERE for full calendar and discount tickets!
Whether trying Improv for the first time or looking for a refresher for your skills, this class will be a ton of fun as you dive in to warm-up, technique and classic performance games. Break down those walls of ego and insecurity. Develop a quick wit. Unlock your full potential. 8 week program includes two performances at the Broadway Comedy Club. We believe performance experience to be an important part of your development.
CLICK HERE for discount registration and more information. (Discount expires 8/31)
For eight weeks teens 13-17 play warm-up, technique and performance games learning both performance, improv and valuable life skills (creativity, community, leadership). The last 30-45 minutes of each class is focused on developing original comedy material. Students share stories of their own experiences and observations, which – under the direction of our teaching artists – become stand-up comedy routines. The class has a ninth week built in as make-up (bonus if you don’t miss any classes) and a 10th week as the performance showcase. By combining the Improv & Stand-Up students get a well rounded creative arts experience of performing, writing and more.
CLICK HERE for discount registration and more information. (Discount expires 8/31)
For eight weeks students 8-12 play warm-up, technique and performance games learning both performance, improv and valuable life skills (creativity, community, leadership). The last 30-45 minutes of each class is focused on developing original comedy material. Students share stories of their own experiences and observations, which – under the direction of our teaching artists – become stand-up comedy routines. The class has a ninth week built in as make-up (bonus if you don’t miss any classes) and a 10th week as the performance showcase.
CLICK HERE for discount registration and more information. (Discount expires 8/31)
This class, taught by Walt Frasier, is by invitation only! CLICK HERE for more info.
7/9 Saturday 3pm LMAO Matinee
7/9 Saturday 8pm LMAO
7/10 Sunday 6pm HAPPY HOUR
7/11 Monday 6pm Happy Hour 8pm ON THE SPOT
7/16 Saturday 3pm LMAO Matinee
7/16 Saturday 8pm LMAO
7/17 Sunday 6pm HAPPY HOUR
7/18 Monday 6pm Happy Hour 8pm ON THE SPOT
7/20 DROP IN IMPROV COMEDY CLASS 4 TEENS 1:30-2:30 CLICK HERE
7/20 Wednesday 3pm Matinee IMPROV 4 TEENS / IMPROV 4 KIDS (All ages welcome)
7/23 Saturday 3pm LMAO Matinee
7/23 Saturday 8pm LMAO
7/24 Sunday 6pm HAPPY HOUR
7/25 Monday 6pm Happy Hour 8pm ON THE SPOT
7/30 Saturday 8pm LMAO (NO 3pm show)
7/31 Sunday 6pm HAPPY HOUR
Hilarious interactive comedy improvised based on audience suggestions and participation. Evening shows 16+ only and popular with College groups, corporate events, bachelorette parties etc. Matinee shows are all-ages friendly and popular with youth/teen groups from schools, camps and community centers as well as family events including birthday parties. Bring this show to your college campus email eightimprov@gmail.com for more info
Improv Player spontaneously create the book for an original musical based on offerings from rotating roster of top NYC singers.
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